A treehouse overlooks it all: weather-worn wooden buildings that house showrooms and workrooms, and picnic tables displaying ceramic dinnerware.
A few pieces dazzled me...the gold-rimmed vases with horsehair designs burned into them, and the raku spheres that the artist called Prayer Malas.
As I purchased an armadillo for my sister and her husband's garden, I chatted with one of the elder craftswomen. I mentioned I'd long ago studied with Paul Soldner. She, with a big grin, led me to the back room and this poster which, she said, they'd been repairing for 40 years:
After a good laugh, I told her how a man at my art reception had responded when I mentioned I'd studied with Paul...he asked, with a wry smile, if I'd been "one of Paul's girls." Of course now I understand much better what he meant. (Be sure to read the box -- Paul was advertising for his company which sold hand-built wheels and clay bodies.) Paul told me he'd get me into his grad program at Scripps if I wanted. I think I'm glad I chose to spend a year in Europe instead, but not sure. How different would my life have been?
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